/// Music

The Downward Spiral tells about the fall of a man

Nine Inch Nails

Whatever People Say I Am, That’s What I’m Not

Fever to Tell marks the Garage Rock Revival revolution

Yeah Yeah Yeahs

The Front Bottom’s Talon of the Hawk

The Front Bottoms

October Rust | Who knew morbidity could be such fun?

Type O Negative

Ambient 1: Music for Airports | A sonic field to explore

Ultra Mono | The Idle’s mix of grit and frailty

Dreaming an Endless Space (Between You & I)

Polyhymnia | Muses and women celebration

Nonagon Infinity | Redefining the musical narrative

King Gizzard & The Wizard Lizard

The Lick On The Tip Of An Envelope Yet To Be Sent

Tourist Season offers a space of tenderness

At Newport 1960 is a blues fresco impossible to resist

Il Sorprendente Album D’Esordio De I Cani

Tokyo Love Hotel | A razor-sharp anthem for the trap era

Lust for Life combines Iggy Pop and David Bowie’s talent

Elephant | A coalescence of beautiful influences

The White Stripes

Beyondless | Deconstructing punk music

There Existed An Addiction To Blood | Between cinema and human nature

Atom Heart Mother is Pink Floyd’s weirdest experiment

How Ride the Lightning helped establish the metal genre

Love & Ashes | Blood and Sun’s American neofolk

I Disagree | Poppy’s bizarre musical Frankenstein

Slanted & Enchanted | Cut up noises over the success

West of Eden | Threnos for the western world’s end

Blues for The Red Sun | Where Psychedelia meets the Desert

J.J. Cale’s Naturally is a classic of the blues-rock genre

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