By Valentina Manganaro

Saint Peter and Saint Paul | The new Renaissance standards

Lorenzo di Pietro called Vecchietta

Houses at Murnau | Simply and colorful inspirations

Wassily Kandinsky

Pontormo’s unconventional Deposition From the Cross

Jacopo Pontormo

Saint Jerome in his study | A new humanist iconography

Antonello da Messina

The Pesaro Altarpiece and the painting within a painting

Giovanni Bellini

The Raising of Lazarus shows Caravaggio’s innovations

Michelangelo Merisi da Caravaggio

The City Rises is Umberto Boccioni’s first Futurist work

Umberto Boccioni

Doré and the horror vacui in Dante’s Divine Comedy

Chardin’s Soap Bubbles portrays life in pastel tones

Jean-Baptiste-Siméon Chardin

The Chamber of the Abbess | The impossible art reproduction

Antonio Allegri detto Correggio

The Feast in the House of Levi | The power of being disruptive

The Allegory of Good and Bad Government has a didactic aim

Ambrogio Lorenzetti and his school

Madonna di Foligno gathers all Raffaello Sanzio’s fundamentals

Otto Dix’s Metropolis displays social and existential crisis

Isle of the Dead | Floating inside the inner world

Arnold Böcklin

Madonna del Solletico | The magic of the first laughter

Madonna of the Harpies | Between divinity and nature

Andrea del Sarto

Joseph the Carpenter shows de la Tour’s mise-en-scene

Georges de La Tour

The Bust of Costanza Bonarelli hides a story of jealousy

Gian Lorenzo Bernini

The Portrait of Madame Isabel Styler-Tas shows Dalì’s method

Charles IV of Spain and His Family hides a rulers caricature

The Stefaneschi Triptych gathers two different stories

Giotto di Bondone

The Majesty of Simone Martini in Siena

The Tête à Tête time in a Marriage A-la-Mode

William Hogarth

The Triumph of Death and its strong symbolism

Anonymous (possibly of Catalan or Provencal origins)

Teatro Olimpico | Is the greatness of things merely an appearance?

Andrea Palladio

The Chapel of the Holy Shroud is a journey towards the light

Guarino Guarini

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